So the previous post laid out my excuses for not getting to publishing this sooner...

The Art Spirit is one of my favorite galleries anyway but when they do the Clay Invitational, I'm especially thrilled. It's some of the best and most diverse work around and it's so well-presented. Figurative, abstract, contemporary, traditional--this show always has a little bit of everything.

Like Patti Warashina's saki set. Who knew you could do this with clay?

The show runs through June 5 and includes the following:

The 16 participating clay artists are:
-Patti Warashina, Seattle, WA
-Don Reitz, Clarkdale, AZ
-Frank Boyden, Otis, OR
-Tom Coleman, Henderson, NV
-Elaine Coleman, Henderson, NV
-Adrian Arleo, Lolo, MT
-Chuck Hindes, Coupeville, WA
-Valerie Seaberg, Jackson, WY
-Matt Allison, Seattle, WA
-Jenny Andersen, Bainbridge Island, WA
-Ken Lundemo, Seabeck, WA
-Susan Stewart, Seattle, WA
-Ryan Mitchell, Missoula, MT
-Dan Murphy, Logan, UT
-Dean Adams, Bozeman, MT
-Shane Watson, Silverdale, WA

Spring Fever and 14 Days Left Til Summer

Spring is a busy time for me with school, wrapping up the tail-end of writing for Sandpoint Magazine, doing a bit of arts writing for Inlander (this piece on Ruben Trejo was a privilege to write), and the beginning of negotiations for the school district.

That and planting in the garden in between downpours kept me busy. But it was worth the effort.

School has been a good year, the usual ups and downs, if there's anything "usual" about teaching high school. One of my students won a trip to Washington, DC for her artwork. We did our first field trip ever (in 10 years of teaching), to do "Andy Goldsworthy" sculptures in the woods by the lake (a group project at right). And some of my little cupcakes are going on to college (like Alex, whose art is above left), art school, adult lives, etc. and taking a bit of me with them, I hope.

Negotiations is always an interesting process. And a challenge. Since the Legislature froze our pay last year and disallowed advancement for years of experience, this year (as they informed us) we needed to "feel the pain" that everyone else had been spared. So they cut funding by 4% to salaries, as well as other parts of our funding. And they imposed something allowing the Districts to basically do whatever they wanted with our payscale if they declared a "financial emergency."

It's been ugly, not so much with the District, with whom our Association has a pretty good rapport, but in general; people are upset and nervous and frustrated because teacher pay is some of the lowest in the national already in Idaho and now we're going backwards. And yet we have jobs. The problem, as I see it, is that we've been fighting for improved pay and working conditions since Day One so this is ON TOP of an already undervalued job situation.

Sandpoint Magazine, which always does an outstanding job, included two of my pieces: a small profile of Do and Scott's new gallery, First Light Gallerie, and a profile of Jackie Henrion and Dan Earle, a musician/artist couple who were just a delight to write about.

And I had most of the food section, too, which is usually fun to do. A lot of work driving up and back and following up. It never ceases to amaze me that when we're willing to basically give away free publicity to folks that they don't recognize or value that. If I had a dime for every time someone blew off a request for information...I could probably retire from writing!

It works out well enough, though. I get to write for Inlander, covering a lot of Sandpoint, which helps when I write for the magazine. And vice versa.

Here's a photo of Ben Olson, in fact, taking photos for the Magazine on the same day I was there (having already finished my magazine piece on Trinity at City Beach) doing a review for Inlander. There's my sexy food shot (above left) and Ben feigning surprise (right). Ben's an admitted pain-in-the-ass but a fabulous photographer and one of the many interesting folks I've met from my writing gigs. All in all I feel pretty fortunate to get paid for writing the way I do.

It was probably my food writing, actually, that made me pay more attention to gardening. That and my mom was into most of her life, albeit she was sort of a lousy gardener. It takes some serious work, I have discovered, and towards the end she didn't have the strength. But she grew up picking potatoes and maybe once you get some good brown dirt under your nails that young, it just seeps in somehow and you can't shake the urge to plant your own someday.

















Anyway, I ripped up the grass in the yard, front and back, put in a concrete planter the full depth of the yard, added a living fence of arborvitae, and have slowly been adding perennials and edible plants. Last year I had the cherry tree, raspberries, strawberries and a sad blueberry that I've since transplanted. Here are a few photos of the work in progress (above: before, after). I've added bark and rock walkways, perennial groundcover like Creeping Jenny, and some low but pretty trees like flowering sandcherry.

This year I added more blueberries, asparagus, onions and peas outdoors, plus containers and starts indoors: mesclun mix, spinach, cooking herbs I hope to winter over, tomatoes, cranberry (I know, they're bog plants, right?), and even artichokes, which are down from 8 to 4 and probably not going to make it. I also planted flowers (morning glory, delphinium and columbine) and nearly wept when one made a little flower. Our school has a horticulture program so I picked up some "backup" basil, some iris, and some petunias.

It's a delight to sit on the front porch in the summer and just watch all the flying things flit about the yard. And although I've made some mistakes with what and how I've planted, I'm looking forward to my first big crop of berries and the homemade salsa from one of my fat little tomato bushes. Yum. Come on Summer!

And They Keep On Growing: Group Show at Saranac Opens June 2010

Has Saranac expanded yet again from their original band of a dozen or so? It would seem so. The following press release invites you to the new Group Show. 

This should prove to be visually very diverse and funny on many levels. I lifted some images from Jon Merrell's blog, Funderachiever. You can see the Scott Kolbo connection. Awesome illustration style. 








And Margot and Kurt have been showing at Tinman off and on for a long time. Their piece for last year's OZvitational was one of my favorites.
 



Margot Casstevens . I think making art is a little like being a research scientist or a philosopher or maybe a hermetic mystic. It's about really looking at the world, seeing it and trying to understand. It's about all those
questions we have as small children or as adults at three in the morning when the stars wake us up shouting through the window: who are we, why are we here, what's it all about, and what's that really cool weird thing in the ditch anyway?

Kurt Madison. Kurt has been designing, working and exhibiting in the fine arts field for 30+ years. While the work has mainly been focused on 3 dimensional directions, his work includes digital and traditional 2D methods as well. Much of the work is multimedia using a variety of materials and techniques tailored to the intent and content of the piece. As a body, the work is an ongoing, chaptered commentary, holding 'the Condition' up for scrutiny like still shots or cuts or framing in cinema. Now this, now this, now this, now this, now this, now this, ..., ..., ..., now this.

Jon Merrell. After some deliberation, I cannot say for certain that I have ever produced art in a serious way. It is usually after I stop thinking about art in serious terms that I finally begin to get some satisfaction out of creating it. That being said, viewers are encouraged to examine their own expectations on reading this statement and viewing these images. My intent is rarely to communicate an important message or lesson. Viewers intent on wrapping their heads around some abstract concept, deciphering some radical hidden social agenda, or pontificating on some metaphysical truth perceived to be expressed through the imagery, should prepare for disappointment. I am a simpleton, easily amused by the mundane. I enjoy creating these things, and I display them with the sincere hope of witnessing dumbfounded expressions as viewers awkwardly attempt to ascribe them meaning.

Lindsey Merrell. There is exquisite variation, peculiarity, and amusement in life. My works are printed snippets of the day-to-day, both real and imagined. Inventive offshoots of reality juxtapose literal translations of daily interactions. By isolating moments, connections and variations on the truth, I process life through the printing press. My brief and partial narratives enlarge and examine specific moments and emotions, allowing each viewer to create and pursue a story based on his or her previous experiences and current assumptions. The take-away is different every time. Incorporating handmade elements into each piece, I further examine the idea of unique contact by displaying the ever-changing interactions between my hand and the prints.I primarily work in the medium of intaglio printmaking. I enjoy the process (most days…) involved in transferring drawing or photographic images to copper, etching them, and working by hand to remove and add marks on the copper plate, similar to adding and removing charcoal from a drawing. I also enjoy the diverse options presented by printmaking. One etched copper plate can produce as many images as the artist designs. Emotion and setting can be adjusted through placement, use of color, and added texture. This process seems especially fitting to my current subject matter: common, repeatable objects that make sense in different settings. My most recent images also incorporate monoprinting, watercolor and drawing materials. I hope to continue working in the format of a series, creating interesting individual pieces that become more lively and emotionally rich when seen together.

Alyssa Skiles
 
(no info available)




Reception: June 4
Runs through June 30


Saranac Art Projects, W 25 Main Street, Spokane, WA 99201

Gallery Hours: Thursday 12-5pm, Friday 12-8pm. Saturday 12-5pm. [publisher's note: CALL to confirm the gallery will be open]



FOR IMMEDIATE RELEASE
April1, 2010
 
Contact: Karen Mobley
Arts Director
City of Spokane Arts Department
(509) 625-6050

Nan Drye, Bruce Hormann, Dirk Parsons,
& Mary Wheeler
At the Chase Gallery 
May 4—June 25, 2010

The artwork of Nan Drye, Bruce Hormann, Dirk Parsons, & Mary Wheeler will be featured at the Chase Gallery, May 4 through June 25, 2010.  The Chase Gallery is located in City Hall at 808 W. Spokane Falls Blvd. in Spokane.  An artist reception will be held in conjunction with First Friday, on Friday, May 7, 5pm to 8pm. Gallery hours are Monday from 8 a.m. to 9 p.m. and Tuesday through Friday from 8 a.m. to 5 p.m.

Nan Drye
has created a series of mobiles. Each mobile contains a blank molded cloth face with varying collages underneath. The mobiles explore concepts ranging from spending or squandering of time to feminism and female motivations in the 21st century. Nan is a graduate of the University of Missouri at Kansas City with a Bachelor of Arts.

Bruce Hormann
creates epoxy resin and collage works which relate to marking time and explains his life experiences such as remodeling his studio or his recovery from being hit by a car and being unconscious. Bruce studied at the Art Institute of Seattle and Spokane Falls Community College.

Dirk Parsons (art above left)
is an acrylic painter inspired by elements of the natural world. Brightly colored pallets and highly detailed contrasting lines define the color and form of Parsons’ primarily abstract work. Complex shapes and colors seem recognizable at first, but familiar images emerge upon closer examination. Parson’s work has shown in California and throughout Spokane.

Mary Wheeler
employs texture and bright colors using paper mache, mixed media and acrylic paint to comprise 3-D wall pieces inspired by leaves. Wheeler discovers an endless source of ideas from daily walks around the city. Her work is an abstraction of the leaves, debris, cracks, etc. which form themselves into compositions that she finds intriguing. Wheeler holds a Bachelor of Fine Arts from the University of New Orleans.


It's only Spring but Little Spokane River Artists Tour participants are already looking forward to Fall. Check out the lineup below and mark your calendar for September 25, 2010.

New from the NW Museum of Arts and Culture (MAC)

The Arts & Crafts Movement in the Pacific Northwest
March 13 through June 26, 2010

Don’t miss this feast of decorative art displaying how Northwest architects, craftspeople and artists expressed simplicity and beauty in their buildings, furnishings, metalwork, crafts and printing in the 20th century. This exhibit Includes exquisite pieces donated from the local Davenport family.
Cost: Free with museum admission.

NEW EXHIBIT OPENING ON MAY 1
Ruben Trejo: Beyond Boundaries, Aztlán y más allá   May 1 – November 13, 2010

A major one-person exhibition of Trejo’s work spanning over four decades. Ruben is one of our region’s most important and respected artists. His work is in many collections, including the Smithsonian American Art Museum collection. The exhibit includes the artist’s sculpture, mixed media constructions, paintings and drawings. A beautiful exhibition catalogue is available, published by the University of Washington Press. Lead Sponsors: EWU Foundation, Sterling Savings, The Spokesman-Review, Johnston-Hanson Foundation
May 1 Ruben Trejo Opening Day Celebration 3:00 – 4:00 pm Roundtable discussion and book signing followed by reception. Free with museum admission. MAC members no charge.

Special ArtFest Notice! Call for ArtistsArtFest June 4-6, 2010
The 25th annual ArtFest is upon us and we have openings for artists to participate in this MAC signature event. Deadline is March 12th. Download the prospectus here.


PRESS RELEASE
Memories in the Painting: MFA Thesis Exhibit at Prichard Art Gallery Opens April 16
          
MOSCOW, Idaho – University of Idaho master's of fine arts degree candidates will exhibit their works in an MFA Thesis Exhibit at the Prichard Art Gallery April 16 through May 8. An opening reception will take place at the gallery on Friday, April 16, from 5-8 p.m.

“This year's candidates provide a great variety of work” said Roger Rowley, director of the Prichard Art Gallery. "Painters, printmakers, sculptors in glass, metal and more are included. It’s a great representation of the depth of creative activity in the program."
 
Melissa Bixby’s sculptures create a contrast between the perceived weight of the material and the form’s sense of flow.
 

Courtney Brockett's paintings (right) of interior spaces portray remnants of human activity; images of a bedroom, an office or hallway act as portraits without people. The performance of daily routine becomes a trace of human interaction, and the chaos and clutter become the evidence of narrative in these interiors.

Hanna Clark’s installations of found objects and works on paper draw attention to the material residue that suggests a sense of collective memory. The capacity of detritus to expose repressed realities in cycles of decay is embodied in waste objects.
 

Coping with issues of parenthood and isolation from people her own age, and people in general, informs Rachael Eastman’s prints. It allows Eastman to speak when words cannot express the situation. The physical process of creating through printmaking makes possible a type of contemplation that becomes part of the work.
 

Pairing surreal dreamlike images with ideas of home, Danielle Feige seeks to portray the notion of the “uncanny.”

Sarah Gilbert’s work (left) explores the boundaries of the human, as both a physical form and an ideological category. Her works examine the formation and deformation of categories through everyday interaction with visual information.
 

The Prichard Art Gallery hours are Tuesday-Saturday, 10 a.m. to 8 p.m.; Sunday, 10 a.m. to 6 p.m. The Gallery is closed Monday. The gallery, an outreach facility of the University of Idaho, is located at 414/416 S. Main St. on the corner of Fifth and Main streets in downtown Moscow. Admission is free. Additional information is available at www.uidaho.edu/galleries.