She's been abroad for a bit, charcoal in hand and a keen eye for the delicious curves that populate her often haunting charcoal drawings. A field in Provence, France. The ridiculous curled lip of a sneering gargoyle. A shaft of light at the distant edge of an overgrown lake. These are the images that come into view from her painstaking process of charcoal drawing.
A long ways away from her beloved Palouse, Nelson nonetheless expresses elements of these foreign vistas as if they were a second home, fraught with all the mystery and moodiness that her earlier eastern Washington landscapes possessed.
At The Art Spirit until November 28.
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