In the hands of Disney illustrators, anthro- pomorphism is cute, entertaining. In the hands of sculptor Beth Cavener Stichter, the use of animals to articulate the human condition is powerful, visceral, evocative and sometimes disturbing... See Inlander article
I'm FROM North Idaho, where I teach public school art, write about art and (try to) develop my own artwork. Before that, Montana (sort of), California, Pennsyslvania, New Jersey, Germany, New York, Georgia--some places more than once--and a bunch of places in between. • I'm FROM a life lived with art... the artwork my parents collected with meager savings, explorations of galleries from here to the east coast, undergraduate work in mixed media and sculpture. I've made a living with my art: marketing and design, graphic illustration, art, journalism, and sundry odd jobs that make for interesting stories but never captivated me as much as teaching, which I love. But, more than that, I've made a LIFE with art. • So I'm FROM a place where art is a valued thing, a hallmark of culture, an expression of our humanity in all it's peaks and valleys. I'm from a place where art is a way of viewing the world and my place within it.
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